This book is no ordinary work of apologetic exceptionalism, or fatalistic religious outrage. Dr. Feser attempts to go much, much further than to simply “debunk” the New Atheists. In fact, he only spends a minority of the pages of this book on the “New Atheists” themselves, because they turn out to be only the worst exemplars of a much bigger problem, according to Dr. Feser. In short, this book is a blanket indictment of the entirety of modern materialist naturalism and a significant portion of the science upon which it is based.
A Concise Guide To Stefan Molyneux’s Atheism I am entering the final year of a BA Philosophy at the University of London, this year. To kick things off, I thought I’d do a book review for the blog. The focus this year is the philosophy of religion, and it’s been a while since I’ve done a book review for an “internet” philosopher. So, I’ve decided to dig my claws into Stefan Molyneux’s “Against The Gods?
Last night, I re-viewed George Lucas’ “THX-1138” (for the 20th time), and paired it with Phillip Noyce’s 2014 film treatment of “The Giver”. Both films portray differing versions of what I like to call the “escape trope” in science fiction dystopias: the main character’s whole motivation is to leave his society. In the first, THX is rejected by the dead society within which he is trapped in an unremarkable role, as soon as he is discovered to be non-compliant.
This is only the second movie review I’ve ever done. The first was for my old video channel, which you can find on my new video channel, here . I don’t do “standard” movie reviews, because I know nothing of film production, the arcane science of camera angles and lighting, or the fine art of “pacing”, and “tone”, let alone the intricacies of acting. But once in a while, the allegorical meaning of a film jumps out at me, and I can’t help but write about it.
What’s the Goal? In the introduction to Enlightenment Philosophy In A Nutshell, Jane O’Grady makes her intentions for the book quite explicit: I hope to show how Descartes, Locke, Spinoza, Berkeley, Hume, Rousseau, and Kant respond to, develop, reform, and contradict the ideas of their predecessors and peers, such as Hobbes, Leibniz, Hutcheson, Voltaire, and Diderot, and in doing so, to convey the extraordinary courage and innovativeness of the Enlightenment as a whole… (Pg.
This weekend I had a little extra time on my hands, because of the bank holiday. It’s been quite a while since I’ve looked at any work by the growing cadre of freelance internet philosophers. So, I decided to have a look at the latest offering by Stefan Molyneux. Not a man to shy away from dramatic overstatement, the book is titled, The Art of The Argument: Civilization’s Last Stand.
Jordan Peterson’s “12 Rules For Life” is an admixture of continental philosophy, eastern mysticism, Jungian psychology, Christian theology, clinical psychotherapy insights, personal biography, and folk wisdom. At 368 pages, it’s just large enough to keep a thoughtful layman engaged without the more intimidating academic burden of his first book, “Maps of Meaning”. Dr. Peterson is obviously well read and quite thoughtful. In addition to some of his own occasional profundities, the book is absolutely littered with references to Shakespeare, Milton, Goethe, Dostoevsky, Orwell, Solzhenitsyn, and many others.
Is it better to be truly just, or merely to seem so? This is the question put to Socrates by Glaucon in The Republic. Jonathan Haidt, in his book, “The Righteous Mind”, counts Glaucon among the cynics for putting this challenge to Socrates. But Haidt is missing a subtle and very powerful nuance in Plato’s story. Socrates had just finished embarrassing Thrasymachus for his weak defense of cynical egoism. Glaucon and Adeimantus were certainly entertained, but they were not satisfied with Socrates.
INTRODUCTION The film “2001: A Space Odyssey” is one of the best-known science fiction classics of all time. Over the decades since its initial release, this close collaboration between Stanley Kubrick and Arthur C. Clarke has become a focus of study for film students, philosophers, and futurists. Attention tends to center on Kubrick’s depictions of space travel and its impact on human life, or on Clarke’s exploration of questions like the nature of consciousness and the ontological conundrums raised in the film’s unique climax and conclusion.